On a personal note: Rabbi Shergill

Shergill rose to fame in 2004 with his chartbuster song ‘Bullah Ki Jaana.’ He talks about the music industry and the significance of Punjabi music

geetanjali

Geetanjali Minhas | February 22, 2019 | Delhi


#Bullah Ki Jaana   #Punjabi folk music   #Personal note   #Songwriter   #singer   #Rabbi Shergill   #Gustavo Celis  
 Photo Courtesy: Paramjit Chawla
Photo Courtesy: Paramjit Chawla

Punjabi singer, songwriter, and guitarist, Rabbi Shergill rose to fame in 2004 with his chartbuster song ‘Bullah Ki Jaana’ from his debut album ‘Rabbi’. Inspired by rock and Punjabi folk music, he uses Punjabi language to create acoustic rock-based ballads. His poetic and socially relevant lyrics instantly connected with an urban crowd who loved him for his genuine and original approach to his songs. His songs are deeply philosophical, blend ancient and forgotten Punjabi phrases into contemporary Indian rock music. He has also worked with award-winning mix engineer Gustavo Celis for some tracks in his third album titled ‘III’.

If not a musician: Writer.
 
How has digitisation affected the music industry? Profoundly. New classes of intermediary platforms like YouTube have sprung up and have got an unhealthy stranglehold on the audience. Music has been reduced to a line of code, an algorithm. Fidelity too has come down significantly from the CD era and WAV format to the present mp3/mp4. Gone are the tactile qualities of holding a physical recording, the romance of reading credits, lyrics, and liner notes. Overall, coldness has descended on the music business.
 
What are the challenges and opportunities for independent artists in the music industry today? Foremost is to be an authentic artiste rooted in a place, here and now. Torrents of suggestions are streaming right now from the west – impeding, interfering and manipulating an organic Indian creative expression. Then there’s the problem of linguistic regression across India. Most Indian cultures have voluntarily dismantled their own languages, which were the primary connections between the people. As the words become less sophisticated, so do our songs and consequently our appreciation of life. Then there’s the formidable intellectual mountain of grasping intricacies of algorithms, OTT platforms, IPR, contracts, etc. Historically, art found a mutually connected mass of people to address but today it’s cursed to negotiate a disconnected and nuclearised assortment of people. Heretofore, art holds up a moral, aesthetic compass but, today, it has lost itself.
 
Your views about contemporary Punjabi music: It resembles a bodybuilder fed on steroids – very robust on the outside and failing organs on the inside. It’s got the same 30 melodies playing on a loop, same regressive subject matter – objectified women, casteist pride and empty exhortations to Punjabiyat. It’s either screechy or preachy. But to its credit, it has acquired size and muscle.
 
What can the government do to preserve and promote the literary and cultural heritage of Punjabi music and poetry?  Stop meddling with language. Weed out forcible inclusions into it. Instruct students, secondary school onwards, into historical Punjab aesthetics – the architecture, culture and anthropology of Harappa, Taxila, et al. Farid, Nanak, Waris Shah, Sultan Bahu, Bulleh Shah, Hashim, Puran Singh, Shiv Batalvi and Harbhajan Singh, reserve bandwidth for folk and classical music. Set up of FTII’s reward cultural excellence, hold zero-carbon open-air arts festivals. There’s plenty it can do.
 
Major challenges India is facing today? The way I see it, the greatest challenge is how to secure its integrity, deliver its citizens from stricture, and raise their quality of life without obliterating nature. Be nice if we might, avoid etching deeper the old lines of religion, caste, elites, and entitlement. 
How does the social and political climate in the country affect your creative expression?  A great deal. I’m deeply connected to everything happening around and so is my art.
 
Your greatest inspiration: Fabric of life. The interconnectedness of everything.
 
Your favourite pastime: These days it’s Netflix.
 
At present, you are busy with:  A slew of my own releases.
 
Your advice to aspiring singers: Form a connection with the text. Become lovers of poetry. 
  
– As told to Geetanjali Minhas
 
(This interview appears in the February 28, 2019 edition)

Comments

 

Other News

Rs 52.18 lakh spent on Vande Bharat express inaugural

Indian Railways spent Rs 52.18 lakh to organise the inaugural function of the country’s first engineless semi-high speed train Vande Bharat express. The train was flagged off by prime minister Narendra Modi from New Delhi on February 15. In an RTI reply to this reporter, the northern railwa

On a personal note: Rasika Dugal

A BSc in Mathematics and an alumnus of the Film and Television Institute of India (FTII), Rasika Dugal has acted in Hindi and Malayalam films, web series and television serials besides hosting shows. She is the recipient of the Best Actor Award at Rajasthan International Film Festival for her role in the f

Making sense of India’s elections

With highly appropriate lyrics at the start of every chapter, combined with deep insights from rigorous analysis of data – Citizen Raj is an absolute delight to read.    In Citizen Raj, Surjit Bhalla, well known economist and commentator, looks at Indian elections from

GAIL expedites Jagdishpur-Haldia and Bokaro-Dhamra pipeline project work

 Stepping up the momentum for construction of the Jagdishpur-Haldia and Bokaro-Dhamra natural gas pipeline (JHBDPL) and Barauni – Guwahati Pipeline (BGPL) pipeline, GAIL (India) has winded up finalising awards for Rs 10,500 crore contracts for pipe supply and laying of the integrated 3,400 km-lo

Life without land, land without life

People stare at the barren fields. They remember how green this stretch was, what a dense jungle there was, even if it is difficult for a visitor to imagine so. This land once supported its people, providing them enough opportunity to earn from their labour. Today, the stretch lies unused, a constant rem

Mandovi and Konkankanya express trains get German LHB coaches

To ensure safety of passengers and better comfort, Konkan Railway has decided to replace the old coaches of Madgaon Junction-Mumbai CSMT Mandovi express and Madgaon Junction-Mumbai CSMT Konkankanya express with German LHB design coaches.   The LHB coaches have been designed for i

Current Issue

Current Issue

Video

CM Nitish’s convoy attacked in Buxar

Opinion

Facebook    Twitter    Google Plus    Linkedin    Subscribe Newsletter

Twitter