Censor board to release historic data on Indian cinema -Governance Now

Censor board to release historic data on Indian cinema

The National Film Archive of India has released documents of the early Indian cinema and Indian film industry to make information available to film researchers worldwide who are interested in them.

Geetanjali Minhas | April 4, 2019 | Delhi

#government gazettes #Bengal #Bombay #film industry #historic data #indian cinema #NFAI

Rare and historical data of the early Indian cinema and film industry will now be available online. The National Film Archive of India has released documents of the early Indian cinema and Indian film industry to make information available to film researchers worldwide who are interested in them.

These records consists of the early film data published as Bombay and Bengal Government Gazettes during the period 1920 – 1950 and is a compilation of data of films submitted for examination/certification to censor boards by companies and individuals. The records provide detailed information like name of the film examined, number of reels, length of film, name of company or person applying for certification, name of company or person producing or releasing the film, country of origin, date of examination and number and date of certification issued and endorsement details.

As an example the records include information on refusal of certification to the American silent film ‘The Volga Boatman’ produced and directed by legendary filmmaker Cecil B De Mille, and its prohibition n India by Bombay Board of Film Censors on the ground that it portrayed class hatred, violence, degrading lust and brutality as accompanying the Bolshevik Revolution in Russia.

Similarly, in a silent film titled ‘Poona Raided’ made by Deccan Pictures Corporation in 1924 and directed by BV (Mama) Varerkar, a leading playwright of Marathi cinema a scene was cut before the film was passed by the then Bombay Board of Film Censors. The film was an ambitious production and also the best known directorial effort of Mama Varerkar retells the legendary episode of Mughal Commander Shahistekhan’s attack on Poona and King Shivaji’s daredevil bravery in repelling it.

In the said scene where Shahistekhan makes an obeisance and says “The Crescent Moon! Who calls him a Satan? He is the beloved of the Lord”, and where Shivaji is transformed into the God Shankar with the crescent moon on his head and is retransformed into his original form as Shivaji has been cut out together with the above words of Shahistekhan (scene length: 22 ¾ feet; title length: 11 ½ feet). The film was certified on 15th August, 1924 with a recommendation to cut this scene in reel 7. According to film historians the film was most likely made with an awareness of anti-imperialist metaphor in tune with the struggle for India’s independence.

Such details and many other facts regarding the early era of India’s film industry with over 2,500 pages have been uploaded on NFAI website https://www.nfai.gov.in.

Comments

Other News

The Sardar biography that throws light on our times

Patel: A Life By Rajmohan Gandhi Aleph Books, 568 pages, Rs 1,199 There are many biographi

Climate change, El Niño rewrite Indian monsoon

The month of July exceeded its rainfall target despite forecasts of a below-normal month under a strengthening El Niño. The reason could be that climate change is amplifying monsoon complexity: West Pacific warming, Western Disturbances and evolving ocean conditions increasingly interact with El Ni&

Mumbai has just 1.28 sq.m. of open space per person: Study

Mumbai`s public space crisis is as much about mismanagement as it is about scarcity, and offers a governance roadmap that can be implemented without new legislation, according to a new report by the Urban Design Research Institute (UDRI) and the NGO Alliance for Governance and Renewal (NAGAR).

Lok Sabha passes amendment bill to improve public examination system

The Lok Sabha on Wednesday passed the Public Examinations (Prevention of Unfair Means) Amendment Bill, 2026 by a voice vote after an extensive discussion. Replying to the debate, minister of state (independent charge) for science & technology; earth sciences and MoS in the PMO, Dr. Jite

Shri Abhijit Phukon (IES, 2004) appointed as Joint Secretary, Department of Agriculture & Farmers Welfare.

Shri Abhijit Phukon (IES: 2004) has been appointed as Joint Secretary, Department of Agriculture & Farmers Welfare, Government of India. His appointment, approved by the

Shri Avanish Kumar Mishra (ISS, 2000) appointed as Joint Secretary, Department of Administrative Reforms & Public Grievances.

Shri Avanish Kumar Mishra (ISS: 2000) has been appointed as Joint Secretary, Department of Administrative Reforms & Public Grievances (DARPG), Government of India. The appointment, approved by the Appointments